Just read Michael Moore's commentary on the killing of the world's most notorious terrorist (in the recent past.) Love him or hate him, Mr. Moore is one of the great critical minds of our time. Which is to say, one of the great directors of our time.
Read the entire post here. This part grabbed my attention:
"I was thrilled that the Osama bin Laden era was over. There was now an end to the madness.
Being near Ground Zero that night, I decided to head over there and join with others who saw this event as a chance to have some closure. On 9/11, Bill Weems, a good and decent man I knew and worked with (we had just recently completed a shoot together in Boston), was on the plane that was flown into the Twin Towers. I dedicated Fahrenheit 9/11, in part, to him.
But before leaving to go to the former World Trade Center site, I turned on the TV, and what I saw down at Ground Zero was not quiet relief and gratification that the culprit had been caught. Rather, I witnessed a frat boy-style party going on, complete with the shaking and spraying of champagne bottles over the crowd. I can completely understand people wanting to celebrate – like I said, I, too, was happy – but something didn't feel right. It's one thing to be happy that a criminal has been captured and dealt with. It's another thing to throw a kegger celebrating his death at the site where the remains of his victims are still occasionally found. Is that who we are? Is that what Jesus would do? Is that what Jefferson would do?
I was reminded of the tale told to me as a kid, of God's angels singing with glee as the Red Sea came crashing back down on the Egyptians chasing the Israelites, drowning all of them. God rebuked them, saying, "The work of My hands is drowning in that sea – and you want to friggin' sing?" (or something like that).
I remember my parents telling me how, on the day it was announced that Hitler was dead, there was no rejoicing in the streets, just private relief and satisfaction. The real celebration came six days later at the announcement that the war in Europe was over. THAT'S what the people wanted to hear – not just the demise of one evil madman, but the end to all the killing."
WOW. Talk about "eliciting an emotional reaction."
When I heard the news that Osama Bin Laden had been shot, I'm pretty sure I felt the same as most of America: Shocked, and then relieved. Happy? I can't say. I didn't go to any keggers, nor did I take to the streets, champagne in hand. Quietly I bought up every major newspaper I could find, to A) get the facts, and B) assure myself that the news was (is?) indeed true. I imbibed in Jon Stewart's comedic catharsis. I guess you could say that I, too, rejoiced, in my own way.
Then on this Saturday morning, at o'dark thirty, I read this. And I asked myself a question or two. Questions like, who IS America today? And where HAVE the statesmen gone?
It brought to mind another great line: Thou shalt not kill. No if's, ands, buts, or other disclaimers attached.
The Bottom Line: If the duty of Art is to question, then Really Good Art demands that the viewer question himself.
