I was up late one night, busting up rocks on a scene. I had worked well past exhaustion, so blocked creatively that I was ready to hang it up. Just then I caught a bit of an interview on late night TV with Springsteen, reminiscing on the tumultuous period following the runaway success of Born to Run.
After an ugly split with his management, he holed up with his band mates, pondering: "What if this is the last record I get to make?"
The result? The shirtless all night songwriting/jam session that produced Darkness on the Edge of Town!
Since then, I have kept this affirmation taped under the glass on my desk: "This might be the last time I get to do this."
For an entrepreneur like me, this is powerful language. I'm a self starter by nature; still, some days end before I can reach the end of my to-do list.
The Bottom Line: Springsteen’s sentiment never fails to remind me that serving others - my clients or my team- is a privilege. Following world events of late, The Boss' message is as timely today as it was back then: Get busy producing yourself. Time's a’wastin’…
Thursday, July 21, 2011
Tuesday, July 19, 2011
At the Climax, Some Things Really Are Best Left Unsaid.
My blog looks so boring today after visiting this one. http://www.trouthammer.com.
I found it by following a link from someone's Twitter feed. The post called it out as adorable. Guess I was in need of adorable. Turns out, it was a blogger named Jim's marriage proposal to his girlfriend Julie.You can check it out on the web here. Hang on in there... through the yakking... (!) to the video at the end. It's, well... adorable.
At first, I admit I hung in there just to see if Julie's reaction was natural or contrived. I mean, surely Jim wouldn't post this uber-private moment without his future wife knowing it in advance? Would he?
As a screenwriter and movie lover, I'm accustomed to exploring the lives of my characters. Characters are people too, after all; BUT... characters live in my head. Not in Brooklyn! Watching Julie's eyes move across words I had already seen... knowing that I knew something she didn't... felt weird and voyeuristic, even a bit creepy. By then, I was too riveted to look away. One, I'm an unabashed sucker for love stories. And two, like most audience members, I hate to be left hanging. I wanted to see Julie say yes.
When the climactic moment arrived, I did look away. Even though the kiss happened off screen, that moment was too private, if not for them, for me. I clicked off the video. Only then did I notice the filmmaker's name: Babb. Jim Babb.
ooooooooo weeeee uuuuuuuuu...
It's a small, small world.
As I skipped around the rest of his blog, I discovered that Jim is a man of his word. It's one thing to perform a white boy rap for your school chums. To post it on a billboard to the world is quite another. It proves that Jim has taken his lady love's advice to heart: He's perfectly willing to laugh at himself... and allow the rest of us to do the same. No wonder Jim wants to spend his life with Julie. Maybe that's the fun of it all.
The Bottom Line: When constructing the climax, give the audience exactly what they need to see. Nothing they don't. Some blanks the audience are perfectly happy to fill in for themselves. It pays to be brave enough to let them.
I found it by following a link from someone's Twitter feed. The post called it out as adorable. Guess I was in need of adorable. Turns out, it was a blogger named Jim's marriage proposal to his girlfriend Julie.You can check it out on the web here. Hang on in there... through the yakking... (!) to the video at the end. It's, well... adorable.
At first, I admit I hung in there just to see if Julie's reaction was natural or contrived. I mean, surely Jim wouldn't post this uber-private moment without his future wife knowing it in advance? Would he?
As a screenwriter and movie lover, I'm accustomed to exploring the lives of my characters. Characters are people too, after all; BUT... characters live in my head. Not in Brooklyn! Watching Julie's eyes move across words I had already seen... knowing that I knew something she didn't... felt weird and voyeuristic, even a bit creepy. By then, I was too riveted to look away. One, I'm an unabashed sucker for love stories. And two, like most audience members, I hate to be left hanging. I wanted to see Julie say yes.
When the climactic moment arrived, I did look away. Even though the kiss happened off screen, that moment was too private, if not for them, for me. I clicked off the video. Only then did I notice the filmmaker's name: Babb. Jim Babb.
ooooooooo weeeee uuuuuuuuu...
It's a small, small world.
As I skipped around the rest of his blog, I discovered that Jim is a man of his word. It's one thing to perform a white boy rap for your school chums. To post it on a billboard to the world is quite another. It proves that Jim has taken his lady love's advice to heart: He's perfectly willing to laugh at himself... and allow the rest of us to do the same. No wonder Jim wants to spend his life with Julie. Maybe that's the fun of it all.
The Bottom Line: When constructing the climax, give the audience exactly what they need to see. Nothing they don't. Some blanks the audience are perfectly happy to fill in for themselves. It pays to be brave enough to let them.
Monday, July 4, 2011
My Independence Day Blgo: Let Freedom Ring!
Yes, dear reader; I meant blog.
This weekend I did something I've never attempted before. I drew a cartoon. Ok, Ok, with respect to real cartoonists, it's not so much a cartoon as a doodle. But I had an idea, one I thought was funny enough to give it a shot. I only encountered two problems: What to draw, and what to write.
I can't draw, so that meant I had to figure out what absolutely had to be seen on the page. Which meant figuring out what information was important. Or, perhaps more importantly, what wasn't.
It all started the way most good art does, with a true life experience. It was a Sunday like any other, except for the fact that my soon-to-be-estranged husband and I were actually (shock!) sitting at the breakfast table, at the same time, contemplating breakfast, to be eaten together. If you've ever been caught in the soon to be estranged scenario, then the aforementioned shock will make sense to you. (If not, well then, bully for you... and I hope you never do!)
So on this particular morning, we were communicating, verbally, with one another, instead of via an iPhone (me) or the internet (him) with others. You see, my husband abhors national politics, and I abhor local ones, so he reads a local paper and I read a national. On this one occasion, for one odd reason or another, it just worked. We talked. And we laughed. It was a rather refreshing change. Perhaps we are not so soon as I once thought to be estranged.
We had a lovely breakfast. Then, with the plates finally scraped and the dishwasher humming, I sat down to my trusty sketchbook. I always keep on hand, (doesn't everyone?) just in case such an occasion should arise. It's good to be prepared. Drawing, I found, was nothing like writing. I didn't ponder where to start; or what to draw. In fact, now that I look back on it, I just sort of held the pencil, and let the brain tell the fingers where to go.
All through breakfast I thought about the dialogue between the two principles. I couldn't think of what to write. Something catchy and insightful, or at the very least clever. I gave up and drew in a placeholder. That's when it hit me... it really didn't matter what was being said, as much as who said it, and how. Like Uncle Ari says: Dialogue is character. Bingo! That was that.
The Bottom Line: I'm Al Lee, and I am recovering Perfectonista.
Today I declare myself free of the bonds of my Revisionist tendency to proffer over-edited voiceless text. In the name of Sorkin, King and shipping, I declare my independence, so that The Voice survives and The Work gets done. Perios.
This weekend I did something I've never attempted before. I drew a cartoon. Ok, Ok, with respect to real cartoonists, it's not so much a cartoon as a doodle. But I had an idea, one I thought was funny enough to give it a shot. I only encountered two problems: What to draw, and what to write.
I can't draw, so that meant I had to figure out what absolutely had to be seen on the page. Which meant figuring out what information was important. Or, perhaps more importantly, what wasn't.
It all started the way most good art does, with a true life experience. It was a Sunday like any other, except for the fact that my soon-to-be-estranged husband and I were actually (shock!) sitting at the breakfast table, at the same time, contemplating breakfast, to be eaten together. If you've ever been caught in the soon to be estranged scenario, then the aforementioned shock will make sense to you. (If not, well then, bully for you... and I hope you never do!)
So on this particular morning, we were communicating, verbally, with one another, instead of via an iPhone (me) or the internet (him) with others. You see, my husband abhors national politics, and I abhor local ones, so he reads a local paper and I read a national. On this one occasion, for one odd reason or another, it just worked. We talked. And we laughed. It was a rather refreshing change. Perhaps we are not so soon as I once thought to be estranged.
We had a lovely breakfast. Then, with the plates finally scraped and the dishwasher humming, I sat down to my trusty sketchbook. I always keep on hand, (doesn't everyone?) just in case such an occasion should arise. It's good to be prepared. Drawing, I found, was nothing like writing. I didn't ponder where to start; or what to draw. In fact, now that I look back on it, I just sort of held the pencil, and let the brain tell the fingers where to go.
All through breakfast I thought about the dialogue between the two principles. I couldn't think of what to write. Something catchy and insightful, or at the very least clever. I gave up and drew in a placeholder. That's when it hit me... it really didn't matter what was being said, as much as who said it, and how. Like Uncle Ari says: Dialogue is character. Bingo! That was that.
The Bottom Line: I'm Al Lee, and I am recovering Perfectonista.
Today I declare myself free of the bonds of my Revisionist tendency to proffer over-edited voiceless text. In the name of Sorkin, King and shipping, I declare my independence, so that The Voice survives and The Work gets done. Perios.
Thursday, June 16, 2011
Everything Old is New Again: Trolls, Redfined
Trolls, as defined by millenials and SM (that's Social Media) pros.
What Trolls Can Teach You About Reputation Management
written by JD Rucker, of Flowtown.
Hmmm... methinks my next mov(i)e is in there, somewhere.
Gotta go brainstorm... Enjoy the post!
What Trolls Can Teach You About Reputation Management
written by JD Rucker, of Flowtown.
Hmmm... methinks my next mov(i)e is in there, somewhere.
Gotta go brainstorm... Enjoy the post!
Saturday, May 14, 2011
Thou shall not kill.*
Just read Michael Moore's commentary on the killing of the world's most notorious terrorist (in the recent past.) Love him or hate him, Mr. Moore is one of the great critical minds of our time. Which is to say, one of the great directors of our time.
Read the entire post here. This part grabbed my attention:
"I was thrilled that the Osama bin Laden era was over. There was now an end to the madness.
Being near Ground Zero that night, I decided to head over there and join with others who saw this event as a chance to have some closure. On 9/11, Bill Weems, a good and decent man I knew and worked with (we had just recently completed a shoot together in Boston), was on the plane that was flown into the Twin Towers. I dedicated Fahrenheit 9/11, in part, to him.
But before leaving to go to the former World Trade Center site, I turned on the TV, and what I saw down at Ground Zero was not quiet relief and gratification that the culprit had been caught. Rather, I witnessed a frat boy-style party going on, complete with the shaking and spraying of champagne bottles over the crowd. I can completely understand people wanting to celebrate – like I said, I, too, was happy – but something didn't feel right. It's one thing to be happy that a criminal has been captured and dealt with. It's another thing to throw a kegger celebrating his death at the site where the remains of his victims are still occasionally found. Is that who we are? Is that what Jesus would do? Is that what Jefferson would do?
I was reminded of the tale told to me as a kid, of God's angels singing with glee as the Red Sea came crashing back down on the Egyptians chasing the Israelites, drowning all of them. God rebuked them, saying, "The work of My hands is drowning in that sea – and you want to friggin' sing?" (or something like that).
I remember my parents telling me how, on the day it was announced that Hitler was dead, there was no rejoicing in the streets, just private relief and satisfaction. The real celebration came six days later at the announcement that the war in Europe was over. THAT'S what the people wanted to hear – not just the demise of one evil madman, but the end to all the killing."
WOW. Talk about "eliciting an emotional reaction."
When I heard the news that Osama Bin Laden had been shot, I'm pretty sure I felt the same as most of America: Shocked, and then relieved. Happy? I can't say. I didn't go to any keggers, nor did I take to the streets, champagne in hand. Quietly I bought up every major newspaper I could find, to A) get the facts, and B) assure myself that the news was (is?) indeed true. I imbibed in Jon Stewart's comedic catharsis. I guess you could say that I, too, rejoiced, in my own way.
Then on this Saturday morning, at o'dark thirty, I read this. And I asked myself a question or two. Questions like, who IS America today? And where HAVE the statesmen gone?
It brought to mind another great line: Thou shalt not kill. No if's, ands, buts, or other disclaimers attached.
The Bottom Line: If the duty of Art is to question, then Really Good Art demands that the viewer question himself.
Read the entire post here. This part grabbed my attention:
"I was thrilled that the Osama bin Laden era was over. There was now an end to the madness.
Being near Ground Zero that night, I decided to head over there and join with others who saw this event as a chance to have some closure. On 9/11, Bill Weems, a good and decent man I knew and worked with (we had just recently completed a shoot together in Boston), was on the plane that was flown into the Twin Towers. I dedicated Fahrenheit 9/11, in part, to him.
But before leaving to go to the former World Trade Center site, I turned on the TV, and what I saw down at Ground Zero was not quiet relief and gratification that the culprit had been caught. Rather, I witnessed a frat boy-style party going on, complete with the shaking and spraying of champagne bottles over the crowd. I can completely understand people wanting to celebrate – like I said, I, too, was happy – but something didn't feel right. It's one thing to be happy that a criminal has been captured and dealt with. It's another thing to throw a kegger celebrating his death at the site where the remains of his victims are still occasionally found. Is that who we are? Is that what Jesus would do? Is that what Jefferson would do?
I was reminded of the tale told to me as a kid, of God's angels singing with glee as the Red Sea came crashing back down on the Egyptians chasing the Israelites, drowning all of them. God rebuked them, saying, "The work of My hands is drowning in that sea – and you want to friggin' sing?" (or something like that).
I remember my parents telling me how, on the day it was announced that Hitler was dead, there was no rejoicing in the streets, just private relief and satisfaction. The real celebration came six days later at the announcement that the war in Europe was over. THAT'S what the people wanted to hear – not just the demise of one evil madman, but the end to all the killing."
WOW. Talk about "eliciting an emotional reaction."
When I heard the news that Osama Bin Laden had been shot, I'm pretty sure I felt the same as most of America: Shocked, and then relieved. Happy? I can't say. I didn't go to any keggers, nor did I take to the streets, champagne in hand. Quietly I bought up every major newspaper I could find, to A) get the facts, and B) assure myself that the news was (is?) indeed true. I imbibed in Jon Stewart's comedic catharsis. I guess you could say that I, too, rejoiced, in my own way.
Then on this Saturday morning, at o'dark thirty, I read this. And I asked myself a question or two. Questions like, who IS America today? And where HAVE the statesmen gone?
It brought to mind another great line: Thou shalt not kill. No if's, ands, buts, or other disclaimers attached.
The Bottom Line: If the duty of Art is to question, then Really Good Art demands that the viewer question himself.
Sunday, April 17, 2011
April 15... and counting.
It's April 15. You know what that means...
You guessed it. The midpoint in this month's Script Frenzy writing challenge!
I'm in. Are you?
It's not too late...
http://www.scriptfrenzy.org/
love,
AL
You guessed it. The midpoint in this month's Script Frenzy writing challenge!
I'm in. Are you?
It's not too late...
http://www.scriptfrenzy.org/
love,
AL
Saturday, March 26, 2011
If Social Media Were A High School... Courtesy of Flowtown.com
Here's a great way to help define your characters. Where did they fit in back in high school?
Besides, it's just cool.
Class of 2011: If Social Media Were A High School by Ethan Bloch
Thanks Ethan!
Besides, it's just cool.
Class of 2011: If Social Media Were A High School by Ethan Bloch
Thanks Ethan!
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