I was up late one night, busting up rocks on a scene. I had worked well past exhaustion, so blocked creatively that I was ready to hang it up. Just then I caught a bit of an interview on late night TV with Springsteen, reminiscing on the tumultuous period following the runaway success of Born to Run.
After an ugly split with his management, he holed up with his band mates, pondering: "What if this is the last record I get to make?"
The result? The shirtless all night songwriting/jam session that produced Darkness on the Edge of Town!
Since then, I have kept this affirmation taped under the glass on my desk: "This might be the last time I get to do this."
For an entrepreneur like me, this is powerful language. I'm a self starter by nature; still, some days end before I can reach the end of my to-do list.
The Bottom Line: Springsteen’s sentiment never fails to remind me that serving others - my clients or my team- is a privilege. Following world events of late, The Boss' message is as timely today as it was back then: Get busy producing yourself. Time's a’wastin’…
Thursday, July 21, 2011
Tuesday, July 19, 2011
At the Climax, Some Things Really Are Best Left Unsaid.
My blog looks so boring today after visiting this one. http://www.trouthammer.com.
I found it by following a link from someone's Twitter feed. The post called it out as adorable. Guess I was in need of adorable. Turns out, it was a blogger named Jim's marriage proposal to his girlfriend Julie.You can check it out on the web here. Hang on in there... through the yakking... (!) to the video at the end. It's, well... adorable.
At first, I admit I hung in there just to see if Julie's reaction was natural or contrived. I mean, surely Jim wouldn't post this uber-private moment without his future wife knowing it in advance? Would he?
As a screenwriter and movie lover, I'm accustomed to exploring the lives of my characters. Characters are people too, after all; BUT... characters live in my head. Not in Brooklyn! Watching Julie's eyes move across words I had already seen... knowing that I knew something she didn't... felt weird and voyeuristic, even a bit creepy. By then, I was too riveted to look away. One, I'm an unabashed sucker for love stories. And two, like most audience members, I hate to be left hanging. I wanted to see Julie say yes.
When the climactic moment arrived, I did look away. Even though the kiss happened off screen, that moment was too private, if not for them, for me. I clicked off the video. Only then did I notice the filmmaker's name: Babb. Jim Babb.
ooooooooo weeeee uuuuuuuuu...
It's a small, small world.
As I skipped around the rest of his blog, I discovered that Jim is a man of his word. It's one thing to perform a white boy rap for your school chums. To post it on a billboard to the world is quite another. It proves that Jim has taken his lady love's advice to heart: He's perfectly willing to laugh at himself... and allow the rest of us to do the same. No wonder Jim wants to spend his life with Julie. Maybe that's the fun of it all.
The Bottom Line: When constructing the climax, give the audience exactly what they need to see. Nothing they don't. Some blanks the audience are perfectly happy to fill in for themselves. It pays to be brave enough to let them.
I found it by following a link from someone's Twitter feed. The post called it out as adorable. Guess I was in need of adorable. Turns out, it was a blogger named Jim's marriage proposal to his girlfriend Julie.You can check it out on the web here. Hang on in there... through the yakking... (!) to the video at the end. It's, well... adorable.
At first, I admit I hung in there just to see if Julie's reaction was natural or contrived. I mean, surely Jim wouldn't post this uber-private moment without his future wife knowing it in advance? Would he?
As a screenwriter and movie lover, I'm accustomed to exploring the lives of my characters. Characters are people too, after all; BUT... characters live in my head. Not in Brooklyn! Watching Julie's eyes move across words I had already seen... knowing that I knew something she didn't... felt weird and voyeuristic, even a bit creepy. By then, I was too riveted to look away. One, I'm an unabashed sucker for love stories. And two, like most audience members, I hate to be left hanging. I wanted to see Julie say yes.
When the climactic moment arrived, I did look away. Even though the kiss happened off screen, that moment was too private, if not for them, for me. I clicked off the video. Only then did I notice the filmmaker's name: Babb. Jim Babb.
ooooooooo weeeee uuuuuuuuu...
It's a small, small world.
As I skipped around the rest of his blog, I discovered that Jim is a man of his word. It's one thing to perform a white boy rap for your school chums. To post it on a billboard to the world is quite another. It proves that Jim has taken his lady love's advice to heart: He's perfectly willing to laugh at himself... and allow the rest of us to do the same. No wonder Jim wants to spend his life with Julie. Maybe that's the fun of it all.
The Bottom Line: When constructing the climax, give the audience exactly what they need to see. Nothing they don't. Some blanks the audience are perfectly happy to fill in for themselves. It pays to be brave enough to let them.
Monday, July 4, 2011
My Independence Day Blgo: Let Freedom Ring!
Yes, dear reader; I meant blog.
This weekend I did something I've never attempted before. I drew a cartoon. Ok, Ok, with respect to real cartoonists, it's not so much a cartoon as a doodle. But I had an idea, one I thought was funny enough to give it a shot. I only encountered two problems: What to draw, and what to write.
I can't draw, so that meant I had to figure out what absolutely had to be seen on the page. Which meant figuring out what information was important. Or, perhaps more importantly, what wasn't.
It all started the way most good art does, with a true life experience. It was a Sunday like any other, except for the fact that my soon-to-be-estranged husband and I were actually (shock!) sitting at the breakfast table, at the same time, contemplating breakfast, to be eaten together. If you've ever been caught in the soon to be estranged scenario, then the aforementioned shock will make sense to you. (If not, well then, bully for you... and I hope you never do!)
So on this particular morning, we were communicating, verbally, with one another, instead of via an iPhone (me) or the internet (him) with others. You see, my husband abhors national politics, and I abhor local ones, so he reads a local paper and I read a national. On this one occasion, for one odd reason or another, it just worked. We talked. And we laughed. It was a rather refreshing change. Perhaps we are not so soon as I once thought to be estranged.
We had a lovely breakfast. Then, with the plates finally scraped and the dishwasher humming, I sat down to my trusty sketchbook. I always keep on hand, (doesn't everyone?) just in case such an occasion should arise. It's good to be prepared. Drawing, I found, was nothing like writing. I didn't ponder where to start; or what to draw. In fact, now that I look back on it, I just sort of held the pencil, and let the brain tell the fingers where to go.
All through breakfast I thought about the dialogue between the two principles. I couldn't think of what to write. Something catchy and insightful, or at the very least clever. I gave up and drew in a placeholder. That's when it hit me... it really didn't matter what was being said, as much as who said it, and how. Like Uncle Ari says: Dialogue is character. Bingo! That was that.
The Bottom Line: I'm Al Lee, and I am recovering Perfectonista.
Today I declare myself free of the bonds of my Revisionist tendency to proffer over-edited voiceless text. In the name of Sorkin, King and shipping, I declare my independence, so that The Voice survives and The Work gets done. Perios.
This weekend I did something I've never attempted before. I drew a cartoon. Ok, Ok, with respect to real cartoonists, it's not so much a cartoon as a doodle. But I had an idea, one I thought was funny enough to give it a shot. I only encountered two problems: What to draw, and what to write.
I can't draw, so that meant I had to figure out what absolutely had to be seen on the page. Which meant figuring out what information was important. Or, perhaps more importantly, what wasn't.
It all started the way most good art does, with a true life experience. It was a Sunday like any other, except for the fact that my soon-to-be-estranged husband and I were actually (shock!) sitting at the breakfast table, at the same time, contemplating breakfast, to be eaten together. If you've ever been caught in the soon to be estranged scenario, then the aforementioned shock will make sense to you. (If not, well then, bully for you... and I hope you never do!)
So on this particular morning, we were communicating, verbally, with one another, instead of via an iPhone (me) or the internet (him) with others. You see, my husband abhors national politics, and I abhor local ones, so he reads a local paper and I read a national. On this one occasion, for one odd reason or another, it just worked. We talked. And we laughed. It was a rather refreshing change. Perhaps we are not so soon as I once thought to be estranged.
We had a lovely breakfast. Then, with the plates finally scraped and the dishwasher humming, I sat down to my trusty sketchbook. I always keep on hand, (doesn't everyone?) just in case such an occasion should arise. It's good to be prepared. Drawing, I found, was nothing like writing. I didn't ponder where to start; or what to draw. In fact, now that I look back on it, I just sort of held the pencil, and let the brain tell the fingers where to go.
All through breakfast I thought about the dialogue between the two principles. I couldn't think of what to write. Something catchy and insightful, or at the very least clever. I gave up and drew in a placeholder. That's when it hit me... it really didn't matter what was being said, as much as who said it, and how. Like Uncle Ari says: Dialogue is character. Bingo! That was that.
The Bottom Line: I'm Al Lee, and I am recovering Perfectonista.
Today I declare myself free of the bonds of my Revisionist tendency to proffer over-edited voiceless text. In the name of Sorkin, King and shipping, I declare my independence, so that The Voice survives and The Work gets done. Perios.
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